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Monet from Gurlitt collection found in suitcase

The work found in Gurlitt's suitcase bears resemblance to Claude Monet's "Vue de Sainte-Adresse" Wally Gobetz via Flickr Creative Commons

A painting by Claude Monet has surfaced in a suitcase owned by Cornelius Gurlitt, who left his entire collection of controversially sourced art to Bern’s Kunstmuseum in May.


The suitcase and the painting inside it had travelled to the hospital with Gurlitt shortly before his death on May 6. The hospital turned over the suitcase and its contents to Gurlitt’s lawyer at the beginning of September, according to the German “Schwabing Art Trove” organisation.

Gurlitt, who lived a reclusive lifestyle, inherited the paintings, sketches and prints in his collection from his father Hildebrand Gurlitt, a prominent German art dealer in the 1930s and 1940s who worked with the Nazi regime. The current value of the collection is an estimated CHF1.23 billion ($1.4 billion).

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Inside the Gurlitt collection

This content was published on The collection includes paintings, sketches and prints, all handed down to Gurlitt from his art dealer father. It is valued at an estimated CHF1.23 billion ($1.4 billion). More than 200 of the paintings of inestimable value were the object of international search warrants issued long ago. (Pictures: AFP/Staatsanwaltschaft Augsburg)

Read more: Inside the Gurlitt collection

The newly discovered Monet painting is a drawing on paper that depicts a landscape on a blue background. According to the Schwabing Art Trove, the work bears resemblance to Monet’s “Vue de Sainte-Adresse”. German experts are currently examining the latest Gurlitt find to see whether it constitutes looted art.

Shortly before his death, the younger Gurlitt voluntarily turned his collection over to German authorities, who examined it for evidence of having been looted from Jewish families in the Nazi era. He did not live to see it returned to him.

The secret hoard of more than 1,400 artworks was discovered by chance in 2012 when German tax officials raided Gurlitt’s Munich apartment. The collection was thought to have been lost in the Second World War.

Officials were looking for possible undeclared income after Gurlitt, returning from Switzerland by train, had been found by customs officers to be carrying a large sum of cash.

The Bern Kunstmuseum – or Museum of Fine Arts – was stunned by Gurlitt’s bequest and must decide before the end of the year whether to take the collection. Museum authorities are currently working under high pressure to gain an overview of the collection and its contents in order to reach the ethically difficult decision.

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