The Development of a Swiss Musical Identity
A genuine Swiss music emerged relatively late in European musical history. The four composers presented in this programme, Emile Jacques-Dalcroze, Othmar Schoeck, Hermann Suter and Hans Huber, were all born in the second half of the 19th century.
Their works, in contrast to those of earlier Swiss composers, began to be phrased for the first time in a distinctly “Swiss” musical language. Their creators were spokesmen of the new feeling of national consciousness following the adoption of Switzerland’s Federal Constitution in 1848.
Musical content:
1. Emile Jacques-Dalcroze: Six Rythmes de Danse (excerpt for String Quartet)
2. Emile Jacques-Dalcroze: Rythmes de Danse, No. 9
3. Othmar Schoeck: Das bescheidene Wünschlein (Carl Spitteler, text)
4. Othmar Schoeck: Conclusion from Notturno
5. Hermann Suter: Il Vivace from Sextet in C major for String Instruments
6. Hans Huber: Legend from Winter Nights
Production information:
Musica Helvetica 2. The Development of a Swiss Musical Identity. Produced 1972 for SBC / SRI by Lance Tschannen and Nicolas Lombard.
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