Three women directors win at Solothurn Film Festival
Swiss film director Andrea Štaka has won the main prize at the Solothurn Film Festival with Mare, “a feature film that looks like a documentary or reality itself”, according to the jury.
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In her third feature film, the Zurich-based filmmaker tells the story of Mare, a wife and mother in Croatia whose emotional world is shaken up when she meets a younger man. Mare premiered at last year’s Berlinale; its Swiss theatrical release was interrupted by the lockdown and the jury wished the film “a new chance on the big screen”.
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As part of the 56th Solothurn Film Festival, which was held online, Mare had been nominated for the 2021 Swiss Film Awards in three categories (Best Feature Film, Best Screenplay and Best Sound). The main prize, the Prix de Soleure, is worth CHF60,000 ($68,000).
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The Opera Prima, a CHF20,000 award for debut films, was presented for the first time. Bern-based director Stefanie Klemm won with Von Fischen und Menschen (Of fish and men), in which single mother Judith, who runs a trout farm in the Jura region, has to deal with desperation, grief and anger – and her relationship with farmhand Gabriel – following a tragedy.
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The audience’s favourite film was Beyto by Gitta Gsell. The multicultural love triangle features Beyto, the popular son of Turkish immigrants, who falls in love with Mike. His shocked family plan his marriage to his childhood friend Seher in Turkey.
This is the second time that Gsell has picked up the Prix du Public at the Solothurn Film Festival. She previously won it in 2010 with Bödälä – Dance The Rhythm.
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Switzerland to intensify border checks during sporting events
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Solothurn: Around the world in 170 films – from home
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From Mumbai to Magnitogorsk, the films at this year’s Solothurn Film Festival address global issues and raise universal questions.
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The Solothurn Film Festival will take place online, the organisers have confirmed, talking of a “democratisation of culture”.
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But the choice of the German/Swiss co-production, which looks at three generations of women from the former Yugoslavia living in Switzerland, was not without controversy. It emerged on Wednesday that Barbara Albert, one of the jury, had co-written Das Fräulein with Staka and hadn’t considered it necessary to alert anyone to the fact. Albert stepped…
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If you want to start a conversation about a topic raised in this article or want to report factual errors, email us at english@swissinfo.ch.