April-May 1989: The new Arab cinema (left), July-August 2013: Open Air Cinema (right)
links: Christian Vaterlaus/Xenix, rechts: Frau Diethelm/Xenix
April 1991: Films from the Soviet Union
Mihàly Varga/Xenix
January 1995: Pedro Almodóvar
Alberto Vieceli/Xenix
June-July 1986: Homosexuality in film
anonym/Xenix
September 1988: New British Cinema
anonym/Xenix
January 2006: Woody Allen (left), June 2006: Steve Buscemi (right)
links: Alberto Vieceli/Xenix, rechts: Raffinerie/Xenix
January 2000: Quest for Fire
Michel Casarramona/Xenix
December 2005: Michael Caine
Franziska Burkhardt/Xenix
October 1992: Ken Loach, Jacques Tati, Yoko Ono
anonym/Xenix
October 2002: 30 years of Filmcoopi Zürich (Zurich film cooperative) (left), December 2002: Adventure, French-style
links: AGENTSY Sylvia Togni/Xenix, rechts: Rebecca Morganti-Pfaffhauser/Xenix
June 1990: New Nordic cinema
Kristin Irion/Xenix
Cinema posters are advertising material, and, by definition, of a transitory nature. But in reality, as a Zurich exhibition on the Cinema Xenix shows, they are not only witnesses to political and social movements, but also to the artistic and programmatic development of cinema.
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Founded in 1981 as a Zurich Autonomous Youth Centre project, Cinema Xenix has become a Zurich institution and a centre for debate on politics and issues affecting society. The around 300 posters for film series and retrospectives that have been produced over the past 30 years also reflect this unconventional spirit. Subjects include films from former East Germany, gay films or new Arabic cinema. They have been created by various graphic artists.
Cornelia Diethelm and Sabine Albanese have chosen 60 of these posters, which are on display at the Museum für Gestaltung (design museum) in Zurich until September 28, 2014.
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